H:LOTS – S6E06 – “Birthday”

Written by: Julie Martin
Directed by Alison Maclean Read more…
Cinemalphabet: H is for The Hottest State (2006)

It’s easy to toss about terms like “hipster love story” and “vanity piece” when discussing Ethan Hawke’s 2006 directorial effort. After all it’s based on novel written by Hawke and does tell the story of two very attractive people – in this case one ambiguously raced and one white – who fall for each other under the most hipsterish of circumstances. But to do so sort of misses all that is decent, sweet and surprising about this reasonably faithful adaptation of Hawke’s much maligned novel. The novel itself, is an inexplicable favorite of mine, though the same cannot be said of its filmed counterpart. The film is not terrible; it’s good, but what seemed slightly interesting in novel form doesn’t add up to much on the screen. Though it’s not for a lack of trying by the film’s capable leads, script and director. Read more…
H:LOTS – S06E05 – “Baby, It’s You”

Written by: Jorge Zamacona
Directed by: Ed Sherin Read more…
H:LOTS – S06E04 – “The Subway”

Written by: James Yoshimura
Directed by: Gary Fleder Read more…
H:LOTS – S6E01/02/03 – “Blood Ties”

Teleplay: Anya Epstein
Story by: Tom Fontana & Julie Martin
Directed by: Alan Taylor, Nick Gomez and Mark Pellington Read more…
Bright Like Neon Love

Despite the copious amounts of shade given to this manufactured holiday (as celebrated today) of dubious origins, I have long decided to make this day one of the few each year where I refuse to give into my typically cynical and bitterlicious tendencies. It’s not because I have a wonderful Valentine or even because I like eating candy for no reason (though those things certainly should be factored in), but because, damn it, I just feel like being in a loving and happy mood. So to honor this I thought I’d celebrate my love for various things, ideas and people in my life. Read more…
Cinemalphabet: G is for ‘Great’ Movies

Trying something a little different by expanding the scope of the Cinemalphabet series. Not only will there be posts about specific films, but the series will also highlight various aspects of cinema that fascinate me. For example: what’s up with films with ‘great’ in the title? Of the many film idiosyncrasies I have, an aversion to films with ‘great’ in the title is one I’ve least been interested in examining. Despite inclusion of the adjective rarely being a direct testimony of a film’s cinematic worthiness, I still can’t help but frame it in that manner. Consequently, I find myself underwhelmed by the films. I can’t recall the last time I used the word ‘great’ in a non ironic manner. Like the dozens of times I noticed a ding in my car door courtesy of a runaway shopping car. What do I utter: “Oh that’s just great.” Read more…










